Fashion Designer Todd Snyder Is Behind These Perfectly Rustic Maine Bungalows

Todd Snyder just just cannot give up Maine. The Iowa-born designer guiding the eponymous New York City–based menswear label started browsing the Pine State back again in the summer season of 2019, though undertaking exploration for his debut collaboration with L.L. Bean. These very first trips resulted in a a lot-celebrated Slide 2020 runway fantasia of orange-sole duck boots, emerald-hued corduroy suiting, camo-lined puffer vests, and other iterations of New England outside equipment absent extremely large design and style.

That collection, in turn, led to his immersive layout for a Todd Snyder x L.L. Bean two-bedroom treetop lodge at Concealed Pond, a luxe Kennebunkport, Maine, vacation resort set amid 60 acres of birch-dotted forest. Due to the fact then, Snyder has retained coming again to Maine for more, creating quite a few further collections with L.L. Bean and, most not long ago, debuting new interiors for 20 just one-bedroom bungalows at Hidden Pond.

“I fell in enjoy with Maine when I started off coming up here,” Snyder says, “and I’ve uncovered so much much more about it considering the fact that then.”

The country suites make use of earth tones and styles often related with outdoor athletics, like plaid and camouflage.

This time about, tasked with planning the 650-sq.-foot bungalows at Hidden Pond, Snyder observed it as an “opportunity to genuinely just take a deep dive into Maine aesthetics,” he suggests. “What’s so interesting and extraordinary to me about this area is that it’s so numerous, spot by spot. You travel 50 % an hour, and it’s absolutely different.”

To celebrate this variety, Snyder—who labored with Concealed Pond’s in-residence structure workforce, Krista Stokes and Mark Cotto—created a trio of seems, every one particular tied to a diverse component of the landscape that has so completely captivated him: the rocky shoreline, the soaring mountains, and the forested countryside.

For the coastal bungalows, he spun a mild and brilliant, neat and breezy tale, with neutral sand and very low-distinction blue hues, whitewashed woods, pale sisal rugs, and an oyster shell-pattern wallpaper centered on a decoupage design and style by his pal John Derian. He took specific inspiration from central Maine’s Mt. Katahdin when devising the mountain bungalows, taking part in with cognac-hued leathers, darkish blue velvet, and a William Morris acanthus leaf print on the partitions to channel a luxed-up log cabin appear.